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For nearly fourteen years I was able to keep up this daily blog of books and music.

About a year ago I got a promotion and that changed everything.  I no longer had the time to post everything I wanted to.  Heck, I didn’t even seem to have the time to read all the short stories I wanted to.  Amusingly (or not), just before this new position, I had gotten a print subscription to the New Yorker.  This now means that I (like many others) have a two-foot stack of New Yorker magazines that I haven’t even looked at yet.

For a few weeks I was limiting myself to only the concerts that I went to because that was a little easier to write about.  Although back in the good old days, I used to include photo and links, and I pretty much have neither now. And I’m several shows behind as well.

So I’m still reading books and I think I may try to post some thoughts about them from time to time.  I’d also like to think I have time to write about my concerts, but even those are proving to be challenging.

So let’s consider the blog on hiatus more or less, with occasional posts about things I’ve read or listened to.

The good thing is that I like the new position and wouldn’t change it for the world. I guess I never realized how much down time my old position gave me!

[ATTENDED: March 1, 2026] Ed Gamble

I have made a list of all of the contestants from Taskmaster who I want to see do stand up.  And while I don’t wish to rank them or anything, Ed Gamble was near the top of my list.  I have enjoyed him immensely on his TM podcast, and really I think he’s funny in just about anything.  I didn’t know anything about his standup, but I assumed it would be very funny.

So after Stuart left the stage, Ed came out and made immediate jokes about the lateness of the set.  He said he wanted to play Philadelphia and when the tour manager said Friday or Saturday?  Ed said no Sunday–as late as possible.  Tell them I’ll go on at 8:15 but I won’t go on until 9:20.  He explained the the previous comic went over time, but he watched it and enjoyed, noting that the audience was very different (the previous comedian was black and the entre audience was as well).

Ed made some quick audience banter.  He noted how British comedy clubs don’t have food “ah yes, it’s 9:30 o a Sunday night, let’s get food!”  And then he joked with someone up front who had a lot of food in front of them.  They said that their toddler had eaten all of their food and then said something which made Ed crack up and say that he is tired after this tour and he asked for an audience that would supply half of the jokes for him.

He also noted that the far side of the room was not as vocal as our side.  So he guessed that they were a church group who had come out to the comedy club.  He played up that joke all night and it worked every time.

He told us that every time he makes fun of something in his act, within three years he is doing that.  He used to make fun of vaping, now he vapes (who starts vaping in their late 30s if they don’t smoke?).  He used to make fun of tattoos and now he’s got a bunch.  He promised not to make any jokes about pedophiles.

Every non-American comedian I’ve seen seems to be amazed by our bathrooms.  Ed explained that he was amazed when the automatic toilet went off when he moved–and whisked everything away too fast to even look at it.  While in England, the bowl, is like a lazy carousel, swirling everything around so you can see how it went.  He also said that there is a brush in each stall designed for you to clean up and maybe help the stragglers down.  He imagined just how much human DNA is on it.  Gross.

He made some jokes about the posh school that he went to.  So posh that Marcus Mumford was in the year below him.  Then he joked that someone told him Mumford was on Saturday Night Live last night which made him hilariously furious.  They put on plays and he was often cast in the role of the woman.  Which led to a segue about drag queens.  He told us that when he was on a show that filmed in the States, he met some drag queens (for the show) and they made him up.  He said it gave him the utmost respect for drag and loved seeing it on stage even now.

The drag show was the only thing about his honeymoon that he liked.  He said that he and his wife wanted to prove that they weren’t a boring old married couple, so they honeymooned in Las Vegas.  And hated everything about it. They hated the heat, they hated the drugs, they hated the gambling (and how many time people heard his last name and assumed that’s why he was in Vegas.

His description of their Thai massage was hilarious (and Makes me never want to have one.

Ed was pretty explicit and he joked that the Christian side was muttering, enough with the shit and boob jokes.  He also joked about muttering himself.  That when he gets to be like 70, he’s looking forward to becoming a bigot–because that’s what you do when you get old: you make holidays uncomfortable and then you die.  But he joked that as a posh person he can make that harrumph sound, and you can put any kind of slur in there.

He imagines that when he is a grandpa he will have no tolerance for humanoid cyborgs, and when his child brings one home to date, he will have some choice words for it.  Somehow saying the kind of racist things old people say but saying it about a cyborg was really funny.

So yes, he made me laugh a lot.  It was a lot of fun.  And he told us that he loved American audiences because we think, I paid money to laugh so I’m going to laugh.  Whereas British people say, “let’s see if this guy can make us laugh.”  We are giving him an inflated ego.

There was no mention of Taskmaster, which doesn’t entirely surprise me, but I thought there might be a nod to it.  It’s also interesting that his partner in the Off Menu podcast, James Acaster, played a much larger venue.  I guess Ed is not quite as well known here–and indeed, this was his first stand up tour in the U.S.  I think it went rather well for him.

 

 

[ATTENDED: March 1, 2026] Stuart Laws

After seeing Rhys Nicholson here a month ago, I had a better idea of what to expect.  But all my expectations went out the window when we arrived with a solid 25 minutes to spare and there was a massive line outside.

Evidently the previous comedian (who went on at 6) ran really late.  And they were still clearing the audience out and getting the place ready.  I wasn’t sure if there would be opening acts like last time.  There was an opening act, but there was no “Host” like last time.  There was someone who introduced Stuart, but he also just told us about the venue’s policies.

Stuart Laws came out and immediately told us that he’d only be doing about 15 minutes of material.  I’m not sure if his set was truncated (I assume so).  Continue Reading »

[ATTENDED: February 25, 2026] Arkona

I saw Arkona (Аркона) open for Korpiklanni back in 2018.  I liked everything about them–their look, their sound and their lead singer, band creator, and primary songwriter Masha Scream (Maria Arkhipova).  The band were dressed in burlap robes, and they all had long hair.  There was a hand drum and skulls and all manner of arcana.  I assumed that they were huge (and I think they are in Europe).

So when they announced a show in Clifton, I just had to go–their first time in the States (otherthan NYC) since 2018.  It was my first time going to Dingbatz, a (mostly) heavy metal club. The place is really small (200 people) and the show was not sold out (yikes).  I felt bad for the band who I know has played festivals with thousands of screaming fans.  And here we were, about 75 people.  Yikes.  I hope they didn’t lose money.

The roadies came out and hung up the Arkona banner (I think at other shows they’ve projected images behind the band, but there was no room for that here).  It was pretty funny seeing them hang the banner while standing on chairs–again a whole battle of the bands feel.  Continue Reading »

[ATTENDED: February 25, 2026] Malphas 

When I looked up Malphas, I learned that they were a Swedish death metal band.  But when the guys in the band took the stage, I thought, these guys aren’t from Sweden.  They look like they’re from New Jersey.  Turns out they are from Philly.  They’ve been around since 2012 and have an album and an EP out.

LIke the other two bands, there was a theatrical component to them.  The two guitarists and the bassist turned their backs to us and started a kind of creepy horror movie soundtrack.  But there was some kind of technical difficulty.  I think it had something to do with their drummer not being able to hear the clicktrack. After several minutes of trying to fix things, they gave up and their bassist said they were going to raw dog it.

So, like Spinal Tap, instead of doing a theatrical opening, they all just turned around and started playing.

But they wee really good as well.  The singer played some really good solos.  But once again, the mix was weird–the bass drums were really loud and overpowered the rest of the band.

The bass player was the joker of the group asking if we were sick of the snow.  He said too bad we’ve brought more and then said a song title that I didn’t get.

I always like it when growly singers talkin a normal voice.  And this singer did.  He sounded just like a guy from Philly–thanking the other bands and dedicating songs to them.

The vocals were mostly growly but they were largely understandable, which was good.

Malphas is the main opening band for this Arkona tour, with the other bands changing depending on the venue.  So I guess Arkona must like them.  I did.  Listening to their record, they have a lot more going on in the songs (choirs and keys) which I think i would have liked even more if they included it.

But like the other two bands it felt really … amatuerish?  And by the end of the set I worried that I made a bad call coming to this show–was it going to be just like a show where the audience is all the band members’ friends?

Thankfully, Arkona stepped up.

[ATTENDED: February 25, 2026] Mindrazer

I saw Arkona open for Korpiklanni back in 2018.  When they announced a show in Clifton,I just had to go. It was my first time going to Dingbatz, a (mostly) heavy metal club. The place is really small (200 people) and the show was not sold out (yikes).

I was wondering how come I never went to Dingbatz if it was 20 minutes from where I grew up.  I found out it opened in 2004, the year I moved away from the area.  How about that.

So the secondband up was from Hackettstown (which the singer pointed out was only known for making M&Ms (it’s the headquarters of Mars candy).

Unlike the rest of the lineup, Mindrazer plays mostly thrash metal–clean vocals (soaring vocals like the guy from Helloween).  Both guitarists played excellent solos–some serious skills on stage there.

But as with the first band, I felt like they were demanding a lot from the audience since no one knew them. The singer insisted that everyone there get on the floor and row.  I’m not exactly sure when or where this trend started–I assume with Amon Amarth, bit I could be wrong.  I’m all for it because I think it’s hilarious and is probably a lot of fun.

A song or two later, the singer jumped onto the floor and tried to get a circle pit started while he played and soloed.  No one was really into it, I think everyone was more intrigued that he was on the floor.  I know someone took a really close up video of him shredding which was pretty cool.

Again, demanding a lot for a band no one’s heard of.  I found them a little hard to take seriously because they looked really young and earnest.  There was a part where he told us they were taking us on a journey through the history of horror and the horror of history.  But they were a lot of fun and captured the sound of 80s/90s thrash really well.

After a couple of songs he asked if the crowd thought they were a thrash band.  Weird, but yes.  Did we think they could do death metal too?  Who knows, we’ve only hard three songs by you.  Anyhow, the bassist then stepped up and did growling vocals as they did a cover of the Mayhem song Freezing Moon.

The best part was when they played Crusader.  They had someone dressed like a crusader, complete with sword and skull mask (with snakes dangling from its mouth).  He wandered the stage threatening the band and then he jumped down onto the floor and started a circle pit.  This was easily my favorite circle pit ever–a guy with a sword as the central focus of the pit.

It was nice to have a different style of music since the other three were pretty much all death metal.

SETLIST
1453 (Doom of the Eastern Crown)
Seeker
Unnatural Rebirth
Freezing Moon (Mayhem cover)
Crusader

♠ A Thing of Nightmares (2023)

 

[ATTENDED: February 25, 2026] Ametropia

I saw Arkona open for Korpiklanni back in 2018.  When they announced a show in Clifton,I just had to go. It was my first time going to Dingbatz, a (mostly) heavy metal club. The place is really small (200 people) and the show was not sold out (yikes).

So if Arkona was the headliner and not many people knew of them, you can imagine how unknown the openers were.

Heavy metal is a great genre if you want to learn about obscure words.  Like Ametropia which is a general medical term for refractive errors—including myopia (nearsightedness), hyperopia (farsightedness), and astigmatism—where the eye cannot properly focus light directly onto the retina, resulting in blurred or distorted vision.

How about that.

The band Ametropia is a trio from south central PA.  They released an album last year.  When they came out on stage, the lead guitarist/singer was wearing a read hooded robe.  They played heavy and fast and the singer was a standard growling evil death metal type of voice.

I thought the sound was pretty bad–couldn’t really hear the bass.  I’m not sure how clearly he sings the growly vocals, but I couldn’t hear them clearly. Mostly it was snare drum and low rumble.  One of the songs was a big middle finger to the Catholic church and the pedophiles that are in it (it was creepy, for sure).

It makes me laugh when opening bands insist that people act like they’re the headliners.  There were about 30 people in the room when Ametropia went on and they were insisting on a circle pit.  When it started there were about 9 people in it.

I though the robe was an effective way to present the band because as soon as he dropped the hood and you could see his face, he was just a dude growling.

I liked them more than I thought I would–they had some real grooving parts and some nice time changes.  But it almost felt like a battle of the bands show.  For all three opening bands, actually.

But there were some teenagers there and they loved it–full bodied headbanging and first entrants into the pit.

I’m not sure what their setlist consisted of, but they were pretty fun even if the sound wasn’t great.

[ATTENDED: February 21, 2026] Remember Sports

A few years ago my son was listening to Remember Sports as I walked past his room.  I liked the song and made a mental note of the band.  I have no idea what song it was now, but it was really good.

I hadn’t really heard much about them since.  I assumed they had broken up.  But no, they just took four years to make their latest album.

They announced an album release show at Kung Fu Necktie and I grabbed a ticket, not really knowing what to expect.  Although during the show, they admitted that they’d played in Brooklyn the night before.

I felt a little bad being right at the front of the stage since I wasn’t a huge fan, but whatever–the songs were new (mostly) so I assumed most people didn’t know all the words yet.

They opened the set with the first three songs on the album.  The opening song Across the Line has been getting lots of airplay on WXPN so I knew that one well.   And I had listened to the album a few times so I recognized most of the songs. Continue Reading »

[ATTENDED: February 21, 2026] Eraser

Eraser came up next.  There are four people in the band Sonam Parikh: vocals, synthesizer;
Pier Harrison: guitar; Kat Bean: bass and Juliette Rando: drums. Before the show I had watched a video online of them at PhilaMOCA so I knew what was coming.  I don’t know if you’d call it No Wave or just good old fashioned noise rock, but that’s what it was.

Pier Harrison was so much fun to watch.  They would play simple melodies and then go nuts making wild sounds and playing bizarre chords.  The keyboard was pitched to what was almost a toy keyboard sound–tinny and noisy, playing usually one or two note melodies like early new wave bands.

The rhythm section was solid.  I especially enjoyed drummer Juliette Rando who kept the beat but added fun flourishes as needed.

Sonam Parikh was an aggressive frontwoman.  She seemed annoyed that people weren’t dancing (even though the music was pretty weird and not entirely danceable).  Twice, she jumped down next to me and sang from the audience.  She said they were going to be playing in France soon, which kind of blows my mind that a weird Philly band was playing in France, but good for them.

Their set was fun and relatively short, so that was good.

I can’t tell what the setlist was, although they do have an album out on bandcamp.

One song from the setlist:

Simon Says

♠ Hideout

 

[DID NOT ATTEND: February 22, 2026] Tyler Ramsey & Carl Broehmel / Maggie Halfman

I grabbed tickets for my wife and I to see this show despite it being on a Sunday night.  It was a fun hance to see Carl Broehmel up close and personal (after having seen him twice with My Morning Jacket) and to see Tyler Ramsey who left Band of Horses a while back but who was very important to the early BoH sound.   They put out a really lovely acoustic album together.  I wasn’t sure if we’d be standing for this mellow show (probably), but I knew it would be a delightful show and it wouldn’t run too long.

And then we had a blizzard.  A full scale “no driving allowed” kind of emergency.  As soon as the snow was announced, we knew we weren’t going to go, but when it turned into such a big deal, we assumed the show would be cancelled.  BUT IT WASN’T!

I guess Carl, Tyler and Maggie were already in Philly, so the show went on.  I can’t decide what’s worse–to cancel and reschedule or to actually go ahead on a night when a lot of people probably won’t show up.

I’m a little bummed to have missed it,but I would never go out on a night like that.

Maggie Halfman is a folk singer from Kentucky.  She has a nice voice and sings pretty melodies.  A perfect opening act.

[ATTENDED: February 21, 2026] The Afterglows

The Afterglows are a Philly band–a duo–Sam Cook-Parrott and Michael Cantor (although I’m not sure who was who).

They took the stage at 7 (the show was pushed up a but, I guess because KFN had an event at ten).  One guy on guitar and another on bass and keys/drum machine.

Their songs were simple but their harmonies were really great.  They had a kind of slow, dreamy quality–retro in a pleasant way.

The lead vocals we shared between the two, with the bassist’s voice being the higher.  For one song, they switched instruments (and apologized for the delay) and then they went back to the basic setup.

Their set was really pleasant.  Songs of love and loss with simple melodies and nice harmonies.  None of which were more than 3 minutes I don’t think.

The last song, How This Ends rocked a lot more.  It was louder and even had a noisy guitar solo at the end.   A fun way to end the set.

SETLIST

Don’t Make Me Lonely §
Sea of Hate §
I’m Closing the Door
The Nearest Window §
Here Comes the Night §
Bless My Soul
Born Again §
How This Ends §

§ The Sound of the Afterglows
∇ The Afterglows