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So what happened here?

June 10, 2022 by Paul Debraski

For nearly fourteen years I was able to keep up this daily blog of books and music.

About a year ago I got a promotion and that changed everything.  I no longer had the time to post everything I wanted to.  Heck, I didn’t even seem to have the time to read all the short stories I wanted to.  Amusingly (or not), just before this new position, I had gotten a print subscription to the New Yorker.  This now means that I (like many others) have a two-foot stack of New Yorker magazines that I haven’t even looked at yet.

For a few weeks I was limiting myself to only the concerts that I went to because that was a little easier to write about.  Although back in the good old days, I used to include photo and links, and I pretty much have neither now. And I’m several shows behind as well.

So I’m still reading books and I think I may try to post some thoughts about them from time to time.  I’d also like to think I have time to write about my concerts, but even those are proving to be challenging.

So let’s consider the blog on hiatus more or less, with occasional posts about things I’ve read or listened to.

The good thing is that I like the new position and wouldn’t change it for the world. I guess I never realized how much down time my old position gave me!

Posted in Paul Debraski | 3 Comments »

What is Now (Solar Myth, Philadelphia PA, March 23, 2026) [ORCUTT SHELLEY MILLER]

March 23, 2026 by Paul Debraski

[ATTENDED: March 23, 2026] What is Now 

I was excited to see Orcutt/Shelley/Miller and was made even happier when Chris Forsyth was listed as the opening act.  I’ve seen Chris in various forms five times and I love that he is creative and virtuosic but also experimental and noisy.  This show was with another group that he has recently gotten together with.  They are called What is Now and it’s a trio with double bassist John Moran (Bark Culture, Daniel Villareal Trio) and drummer Joey Sullivan (Florry, Bark Culture).

Solar Myth is a small venue and I’ve seen some loid shows here.  But this trio proved to be pretty quiet.  The played two pieces which I think were entirely improvised.

The first was about 20 minutes.  I enjoyed watching Chris wrangle his guitar–occasionally making pretty sounds, but largely making interesting experimental noises.

Joey Sullivan was fun to watch because he had a whole selection of gear on the piano next to him.  These included metal pieces that he put on his drums, a kind of spring that he hit and which rattled, and various other things that he put on the drum heads.

I was a little bummed that John Moran faced the other two guys because I was standing sort of in front of him and I never got to see him doing anything–except from the side.  So I could see his bow going back and forth (at one point he made a really noisy scraping “solo” that seemed to introduce a new part of the song.

After about 20 minutes the song wrapped up.  Chris said they would do one more–a quickie.  He asked Bo the sound guy how much time they had and Bo said “enough.”

So they started up a new song.  It was much the same but very different.  I really enjoyed the way the double bass seemed to be the component that held everything together while the guitar and drums seemed to roam around.

Is this jazz?  Maybe.  It’s noisy, occasionally gorgeous and mostly really interesting to watch.

And it’s always fun to chat with Chris after the show–he’s such a nice guy.

 

Posted in Orcutt Shelley Miller, Philadelphia, PA, Solar Myth, What is New | Leave a Comment »

An Evening with Mike Gordon (Union Transfer, Philadelphia PA, March 15, 2026)

March 15, 2026 by Paul Debraski

[ATTENDED: November 28, 2016] Mike Gordon

When Mike Gordon announced a short March tour and one of the stops was Union Transfer, I immediately grabbed a ticket.  I have very warm memories of the last time I saw him.  I assumed it was like six years ago so I was really surprised to discover it was actually TEN.  I was also surprised to see that he had played UT in 2018 and I wondered why I didn’t go (I had tickets to Nada Surf that night).  But it has been 8 years since Mike has been here.

The 2016 lineup was guitarist Scott Murawski, percussionist Craig Myers, drummer John Kimock and keyboardist Robert Walter.

This years lineup was similar but different: guitarist Bob Wagner, guitarist Xavier Lynn, drummer John Kimock and keyboardist Robert Walter.

Like last time, Mike and friends played for almost 3 hours (a brief intermission in the middle).  And like last time, Mike didn’t do a lot of soloing–he’s not a show offy bassist, although he does play some great stuff–he always has a great groove and I enjoy when he messes with his pedal effects to create a variety of sounds.

There was a line to get in, but it moved quickly and when I got in the merch line was really short.  My wife had bought me a poster tube since I like posters so much and I actually brought it with me this time.  But while I stood there (and I could see into the hall) nothing was happening.  Then I saw that the card reader wasn’t working and these two guys were trying to fix it.  With a few minutes before the showtime, I quit the line and went in.  I had a great spot right in front of Mike.  Although the people around me were pretty odd.

One guy had a stuffed doll with him and he kept holding it up trying to take a picture of it with the band (which I get but holy cow he did it like 30 times).  After he moved away, the spot was constantly being filled by other people who really had no regard for personal space (which might just be a Phish thing). Continue Reading »

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Rainbow Kitten Surprise / Common People (Wellmont Theater, Montclair, NJ, March 13, 2026//The Met Philadelphia, Philadelphia, PA, March 14, 2026) [DID NOT ATTEND]

March 13, 2026 by Paul Debraski

[DID NOT ATTEND: March 13 & 14, 2026] Rainbow Kitten Surprise / Common People

With a name like Rainbow Kitten Surprise,  I thought this band would be a lot weirder.  I liked some of the songs I’d heard back in 2023 but they cancelled that tour.  Fever Pitch was a cool song with interesting components–lots of fun things going on in under 3 minutes.

The rest of their songs are similarly unexpected, and yet they aren’t quite as compelling.  I have heard  that their live show is unforgettable, but I had a lot going on and my son had just come home from school, so I blew off this show.

Common People are a newly formed band (2025) and they have a oxymoronically named classic indie sound.  They have five songs on Tidal and I like all of them.  Catchy, garagey, a good sound.  Fuzzy guitar solos, I’ll keep an eye on them because I’m definitely interested.

Posted in Common People, Montclair, NJ, Philadelphia, PA, Rainbow Kitten Surprise, The Met Philadelphia, Wellmont Theater | Leave a Comment »

Yasmin Williams with The Dream Quartet (Berlind Theater, Princeton, NJ, March 12, 2026) [DID NOT ATTEND]

March 12, 2026 by Paul Debraski

[DID NOT ATTEND: March 12, 2026] Yasmin Williams

I saw Yasmin Williams open for Michael Kiwanuka.  But she started early and I missed all but her last song.  It was wild fingerpicked guitar (she lays the guitar on her lap and has a kalimba at the end of it as well.  So much fun to watch.

I was psyched that she announced a show at McCarter and I snatched up two tickets.  But my son came home from college that night and we decided to stay in and celebrate his homecoming instead.

When I saw her she was solo.  For this show, she played with The Dream Quartet who I had never heard of.  Their bio says

The New York City based Dream String Quartet quartet is made up of founding members Malachi Brown, Dwayne Beach, Elizabeth Hendy, and Maggy Simon. The quartet was built on desire to invent, curiosity to experiment, and passion to collaborate. True to our name, we are dreamers at heart, dedicated to sharing our music and art with the world. The quartet takes pride in incorporating singing and movement into its performances and creations, bringing a dynamic and multidimensional energy to the stage. The four members thrive on improvisation.

I was looking forward to seeing her solo although I’m sure the Dream Quartet would have only added lovely components to her songs.

 

Posted in Berlind Theatre, Princeton, NJ, The Dream Quartet, Yasmin Williams | Leave a Comment »

An evening with The Joy Formidable (Ardmore Music Hall, Ardmore, PA, March 8, 2026) [POSTPONED]

March 8, 2026 by Paul Debraski

[POSTPONED: March 8, 2026] An evening with The Joy Formidable [moved to May 13, 2026]

I saw The Joy Formidable a couple of years ago and I loved their show.  It was amazing and I kicked myself for not having seen them sooner.  I knew I’d want to see them again.

Then there was some turmoil in the band.  Their drummer (Matt Thomas) left (amicably) and both Ritzy Bryan and Rhydian Dafydd made solo albums.  When this show was announced it was listed as an evening with The Joy Formidable, but also that ther would be solo work from both Ritzy (as her new alter ego Shy Western and by Rhydian.

Then they announced that they had to postpone their East Coast shows due to the expenses of touring.

They still performed their West Coast shows and one of the setlists shows that the first part of the show was Ritzy and Rhydian doing an acoustic duo show and the second half having their new drummer play with them.

When I found out that this show was an acoustic night I was somewhat less interested because I loved their loud and wild stage presence.  I didn’t mind that the show was postponed because it had been a busy week for me.  The new date is right in the middle of a bunch of other shows I was interested in going to. But after listening to one of the Shy Western songs, I really do like it and am interested in seeing them stripped down like this.

As long as they come back again and melt my face off.

Posted in Ardmore Music Hall, Ardmore, PA, Rhydian Dafydd, Ritzy Bryan, Shy Western, The Joy Formidable | Leave a Comment »

Mia Asano / Billy Wilkins / Malphas (Underground Arts, Philadelphia, PA, March 6, 2026) [DID NOT ATTEND]

March 8, 2026 by Paul Debraski

[DID NOT ATTEND: March 8, 2026] Mia Asano / Billy Wilkins / Malphas

In what is either serendipity or calculated planning, I heard about Mia Asano about three weeks before she announced this tour.  I was pretty sure I wanted to go because she looked like such a fun entertainer.  She plays a “flying V” electric violin that is more or less attached to her shoulder so she can move around while the violin stays put.

She plays mor or less heavy metal and her violin is super fast soloing.  But the more I thought about it the less I actually wanted to go.  It seemed more like a novelty than anything else.  And while I love novelty, I didn’t need to go to this one.  I think I’d rather see her as an opening act.

Billy Wilkins in from New Jersey.  He sings like a metal singer but his music feels much lighter than that.  I sort of like it but mostly don’t.  Although I suspect he’s enjoyable live.

I saw Malphas open for Arkona a few weeks ago.  I enjoyed their set but I came away thinking they were a bit amateurish, which is just an odd thing to think about a band (I blame Dingbatz more than the band I think).  Their music was pretty good and I would have enjoyed seeing them again in their home city.

 

Posted in Billy Wilkins, Malphas, Mia Asano, Philadelphia, PA | Leave a Comment »

Baroness (Underground Arts, Philadelphia, PA, March 6, 2026)

March 8, 2026 by Paul Debraski

[ATTENDED: March 6, 2026] Baroness

I have seen Baroness twice before this show.  The first was an acoustic record release show at a Record Store.  The second was at a sold out Kung Fu Necktie in which I couldn’t see anything because of where I was.  So I felt I hadn’t really seen them.

I really wanted to see their Red and Blue tour (where they played both of those albums), but it sold out before I got a ticket.  So this was my chance.  It turned out that they were playing the following night at Starland Ballroom, but they were OPENING for Acid Bath, who I’d never heard of. Crazy.

But here they were headlining.  It feels like the band is really John Baizley (they only person who has been with the band from the start) and new(ish) lead guitarist and amazing shredder Gina Gleeson.  I had thought that the bassist and drummer were kind of new to the band, but Nick Jost has been bassist and Sebastian Thomson has been drummer since 2013–so, they’re long time fixtures for sure. Continue Reading »

Posted in Baroness, Blood Vulture, Commitment, John Baizley, Philadelphia, PA, Underground Arts | Leave a Comment »

Commitment (Underground Arts, Philadelphia, PA, March 6, 2026) [BARONESS]

March 7, 2026 by Paul Debraski

[ATTENDED: March 6, 2026] Commitment

I listened to Commitment just before the show and was blown away by the band’s old school hardcore punk sound.  And that the singer was a woman (not all that common in hardcore).  The woman is Tati Salazar who can scream with an unparalleled fury.   I noticed that the guitarist from Soul Glo was standing in the back of the stage, and that made even more sense when I found out that the drummer is Soul Glo vocalist Pierce Jordan.  And he is a beast on the drums!  Holy cow he is fast and loud.

Guitarist Jake Smith (of Eye Flys, who I do not know) was on the far side of the stage and bassist Zach Bailey, was in front of me.  Bailey was fascinating to watch because his bass work was excellent, but he did not fit the part–he looked a little like Peter Parker in the early Spiderman movies.  He also wore a black latex glove on his left hand–how did it not get ripped on the strings that he was sliding all over?  The last time I saw someone wearing those gloves on stage was also at UA when Damien from Fucked Up said that he had cut his hand and the glove was for protection.  If Bailey cut his hand, it didn’t impact his playing at all.

The band came out and exploded all over the stage.  It was no-frills hardcore punk with almost no song reaching the two-minute mark (except for one longer song).  Now, I couldn’t understand a lot of what Tati was singing, but her energy and intensity made it pretty clear what the songs were generally about. Continue Reading »

Posted in Baroness, Blood Vulture, Commitment, John Baizley, Philadelphia, PA, Underground Arts | Leave a Comment »

Aterciopelados / Laura Lizcano (Underground Arts, Philadelphia, PA, March 7, 2026) [DID NOT ATTEND]

March 7, 2026 by Paul Debraski

[DID NOT ATTEND: March 7, 2026] Aterciopelados / Laura Lizcano

Back in the 90s I was a fan of Aterciopelados.  They never really made it onto my radar in the 2000s but I was really pleased to see that they were still together and touring.  I would have liked to go to this show but we had tickets to see DakhaBrakha already and I really wanted to see them.  Their sound has changed over the years but they retain Colombian styles as they shoft from more rocking sounds to their more recent poppy sounds.

Laura Lizcano is a Colombian singer who lives in New York now.   She combines Latin American musical traditions and indie alternative music. Her songs shine in both English and Spanish with deeply personal and confessional storytelling enhanced by a telenovela-like drama.  She has a lovely voice 

Posted in Aterciopelados, Laura Lizcano, Philadelphia, PA, Underground Arts | Leave a Comment »

DakhaBrakha (Berlind Theater, Princeton, NJ, March 7, 2026)

March 7, 2026 by Paul Debraski

[ATTENDED: March 7, 2026] DakhaBrakha

Four years ago I saw DakhaBrakha and was blown away.  It was a very emotional time as Russia had just invaded Ukraine–support and anger were very high.  The music was beautiful and powerful and the messages of hope and resistance were very strong.  Their home base is in Kyiv and they have first hand experience with the tragedy.

It is simply unbelievable that four years later, the war is still going on.  And now with our new regime and Putin’s puppet in place, Ukraine is in even worse straights (although the EU does seem to be helping).

After seeing them, I wanted my wife to experience them as well.  I’m sad it took four years to see them again, but I’m glad they can still tour the U.S.  I asked the rest of my family if they wanted to experience this as well (and bravo to them all for saying yes with the very vague descriptions I gave).  My daughter couldn’t go because if a last minute commitment, but my wife and my son really enjoyed it.

The band is a quartet: Marko Halanevych.  He plays more than this but for tonight he did: vocals, goblet drum, harmonica, accordion guitar and certainly other things.

Then there was Olena Tsybulska, vocals and drums.  She had a small kit but a huge sound.  Next to her was Iryna Kovalenko who played everything.  She sang and played mostly keyboards, but also drums, djembe, flute, buhay, piano, ukulele, zgaleyka, and a tiny accordion.  And last but not least, Nina Garenetska sang and played cello.  The cello was the one major constant through the songs–she made bass lines, rhythms and even cool effects through pedals.

Each woman’s voice was amazing–powerful and resonant.  And when the women sang together, wow.  It was mesmerizing.  Marko sings lead on many songs.  He has a falsetto and also a deeper vocal style.  He played accordion for many of the songs.

They sing almost entirely in Ukrainian.  Marko speaks English between songs (and the women chimed in from time to time).  And there were two songs in English, the light-hearted “I’ve Boarded the Wrong Plane” [“Ye Siv Ne v Toy Litak”] and the kind of silly Baby. Continue Reading »

Posted in Berlind Theatre, DakhaBrakha, Princeton, NJ, Ukraine | Leave a Comment »

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