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For nearly fourteen years I was able to keep up this daily blog of books and music.

About a year ago I got a promotion and that changed everything.  I no longer had the time to post everything I wanted to.  Heck, I didn’t even seem to have the time to read all the short stories I wanted to.  Amusingly (or not), just before this new position, I had gotten a print subscription to the New Yorker.  This now means that I (like many others) have a two-foot stack of New Yorker magazines that I haven’t even looked at yet.

For a few weeks I was limiting myself to only the concerts that I went to because that was a little easier to write about.  Although back in the good old days, I used to include photo and links, and I pretty much have neither now. And I’m several shows behind as well.

So I’m still reading books and I think I may try to post some thoughts about them from time to time.  I’d also like to think I have time to write about my concerts, but even those are proving to be challenging.

So let’s consider the blog on hiatus more or less, with occasional posts about things I’ve read or listened to.

The good thing is that I like the new position and wouldn’t change it for the world. I guess I never realized how much down time my old position gave me!

[ATTENDED: April 23, 2024] Juana Molina / Madison Cunningham

I have wanted to see Juana Molina for a few years (I was supposed to see her in 2020 but her show was cancelled due to COVID).  I’d rather have seen her as a headliner, but this collaborative night sounded like a lot of fun.

And holy cow was it ever.

Madison Cunningham (who is 27) is labelled an Americana singer, but that’s a limiting description.  Primarily because, as she told us, she listened to Juana Molina before she listened to The Beatles (and Juana is cooler than all four of them).  I didn’t know her music that well, but I love her song “Hospital,” which I think is just fantastic.

Juana Molina’s music is not exactly outrageous, but it is often unexpected.  And that has clearly impacted Madison Cunningham’s songwriting, because her songs are anything but verse-chorus-verse folk songs.

The two singers came out on stage and played a 20 minute improv.  Juana played a basic intro on the guitar which she then looped.  She added drums and keyboard sounds.  All the while, Madison was playing guitar solos–nothing fancy and showoffy, just notes here and there, some pretty, some noisy.

They jammed and jammed and just when you thought it was winding down, Juana would shift gears and take it in a different direction.  It wound up pretty noisy and harsh.

Enough so that when Madison left the stage for Juana to play her solo songs, Juana felt the need to calm everyone down saying that normally their improvs are more mellow and they lead into the next song very well.

Juana’s first song is from her second album (recently reissued on vinyl), The song is a soft guitar ballad that progresses in different ways–with some quiet synths and then after a brief spoken interlude: “If you see someone else winning, leave them alone” the song built into a mild rocker.  It segued into the final song off of Molina’s Wed 21.  It’s a quiet song that loops on itself and turned into a trippy psychedelic song by the end with all of the fun synthy sounds Juana threw into it.

Her third song was from the only album I know (Halo).  “Estalacticas” is a cool song with a deep guitar riff and then a wild synth melody (thrown over the top).  She looped more and more sounds onto it until it filled the room.

Then Madison came out and Juana left.  I was blown away by Madison’s guitar playing.  She pulled out a small acoustic guitar and played “Broken Harvest,” a song with a massively detailed and complicated guitar melody, with interesting chords and main melody lines.  Her voice was also really pretty and impressive.

She was also really funny.  When she commented on how quiet the crowd was, someone replied, “we’re in awe.”  And Madison was super quick with “My mom say the nicest things.” Continue Reading »

[DID NOT ATTEND: April 18, 2024] Girl in Red / Momma

I had bought a ticket for my daughter and I to see Sir Chloe on this evening.  But when Girl in Red announced her show, I immediately grabbed a pair just in case this was preferred.  I figured they would both be easy to re-sell.

And then Girl in Red announced a second show on the night before this one, so I grabbed those tickets and planned to sell the tickets for this show.

It was kind of fun for her to go to two shows in a row.  Although she enjoyed the Girl in Red show a lot more than the Sir Chloe show.

I assume the show was similar to the show we saw , but I think out show may have been a bit more fun (what with the wedding and all).

[ATTENDED: April 17, 2024] Girl in Red / Momma

My daughter and I saw Girl in Red twice in 2022.  Her live show is a ton of fun and I was really impressed with how much she changed it over the few months between our shows.  Her new album is all about how she’s “back.”  This puzzled me a bit as she hadn’t been “gone” for very long.  But if you’re online all the time, two years is an eternity.

As soon as this show was announced I bought us tickets.  This venue was much bigger then the one we saw her in and her stage show expanded to fit it.

There was a giant video screen with cool visuals, there were steps and interestingly designed elements.  There was a gigantic swivel light which actually became a projection screen for a song.  And during one of the songs a part of the stage rose up and she was thirty feet above the stage.

She opened the set with the rocking title track.  She was a ton of fun as she ran back and forth across the stage.  Amazingly she was wearing a button shirt, sweater and suit jacket, and I was hot in shorts.   But her energy was infectious and the crowd was super psyched. Continue Reading »

[DID NOT ATTEND: April 17, 2024] Mike / 454 / Niontay / El Cousteau 

This one is embarrassing for me because I bought a ticket for this show thinking that Mike was somebody else.

I’ve wanted to try to see a few more rappers live–I really enjoyed Open Mike Eagle there’s a few alt-rappers who I like.  One of them is DAVE, from England.  Dave sold out TLA pretty quickly when he came two years ago.  So when it was announced that MIKE was playing, I bought a ticket thinking that a) the show would sell out and b) that MIKE was DAVE.

I had never heard of Mike and didn’t know there was another rapper with an insanely common first name as his rap name.  Obviously I should have confirmed that I wanted to see Dave not Mike, but I was caught up in the excitement.

Mike’s sound is pretty good although he’s a but of a mumbler.  I still figured that I’d go until Girl in Red announced a show for the same night and there was no way I was missing Girl in Red with my daughter. Continue Reading »

[ATTENDED: April 17, 2024] Momma

As soon as Girl in Red announced these shows I grabbed a ticket for my daughter and I.

I was super excited that Momma was the opening band because their song “Speeding 72” is one of my favorite songs of the last couple of years.   I’ve heard it on the radio enough that I checked out their debut album and I love the whole thing.  They’ve got a 90’s alt rock (Veruca Salt) vibe that I’m thrilled to hear again.

I would normally have snuck closer to the stage, but my daughter’s not a close-up fan, so we hung at the back of the pit (which in The Met is not far at all).

I enjoyed Momma’s whole (but rather short) set.  They played four songs from Household Name, including Medicine, the show opener and Speeding 72.

They played two new songs which sounded like they are mixing their sound up a little going forward.   And they played a single from last year, which also sounded really familiar.

Center stage with newly died red hair was Allegra Weingarten, and off to her right was Etta Friedman.  They sang together perfectly in that close harmony, almost whispered vocals that are a little hard to hear (especially in a bigger venue).  But they sounded great.

The band is always described as just the two of them, but thee were two other people on stage too, a drummer and a bassist.  Toward the end of the set, Etta switched instruments with the bassist.

I was pleased that the crowd reacted positively to them (being an opening act can suck) and I’m glad I got to see them before they totally take off.

  1. Medicine
  2. Bang Bang §
  3. Lucky
  4. Ohio 2 [new]
  5. Rodeo [new]
  6. Motorbike
  7. Speeding 72

[DID NOT ATTEND: April 17, 2024] Juana Molina / Madison Cunningham

I am pretty lucky where I live to have so many concert venue choices.  This tour with Madison Cunningham and Juana Molina was appearing at two places roughly an hour from me (yes, I wish all the venues were a little closer).

I used to love White Eagle Hall but I have found it to be less than ideal lately, for a number of reasons.  I still think the venue is great, but if I can go elsewhere, I will.  So, even though Ardmore Music Hall is kind of a pain to get tom it feels like a better venue for this show.

I have wanted to see Juana Molina for a few years (I was supposed to see her in 2020 but her show was cancelled due to COVID).  I’d rather have seen her as a headliner, but this collaborative night sounded like a lot of fun.

I really like Madison Cunningham’s song “Hospital” (which I don’t think she’s actually playing on this tour).  I enjoy the rest of her music too, so it should be a fun night. Continue Reading »

[ATTENDED: April 13, 2024] Swans

I have been a fan of Swans since 1988.  I have a lot of their records on vinyl.  I have more on CD.  I went through a deep dive of Swans fandom  after college and then pretty much drifted away from them.

I’d been kind of intimidated away from seeing them live for years–I heard their shows were punishingly loud and that Michael Gira could be a rather contrary front man.

But my pal Phil Puleo has been playing drums with them for years and I thought it was time to see him and them.  (I had tickets to see them in 2021, but COVID).

So here they were back again.

The biggest surprise to me was that they were not as loud as I suspected.  That may not have been everyone’s experience, but I really expected to be knocked back by the sound and yes, it was loud–without earplugs I ‘d have been crying–but not THAT loud.

Early Swans albums were full of slow, loud, pummeling songs.  The songs are still slow and are still loud, but there’s a lot more subtlety (relatively) in them.

I also had some idea of what this show was like–all new songs–but I genuinely didn’t expect the first song, “The Beggar” to run over an hour!

It began very quietly with leader Michael Gira strumming one chord on an acoustic guitar.  For about five minutes.  He made some vocal sounds which I don’t think were words and then, ever so slowly, the rest of the band joined in.

Kristof Hahn on lap steel was right in front of me and it was fun watching him as he added all kinds of ambient sounds–from quiet to outrageous.

Behind him was Dana Schechter who played a lap steel (possibly modified, I couldn’t see it by she seemed to make different sounds) and occasional bass guitar.  For most of the set I could see her pretty clearly (although not her lap steel), but toward the end a tall person blocked her from me. Continue Reading »

[DID NOT ATTEND: April 13, 2024] Jhariah / Pollyanna / Save Face

I saw Jhariah earlier this year open for Pinkshift.  I loved his set so much.  Everything about it was great.  I thought my daughter would love to see him as well, so when they announced a show at Milkboy, I grabbed tickets for both of us (after discovering that she was allowed to be in the over 21 club as long as she stayed with me the whole time).  Then it turned out that she was invited to a birthday party and she chose to go to that instead.  Which, fair enough.

I already had a ticket for Swans for this evening, which I figured I’d blow off to go out with my daughter.  When she opted for her party, I figured I’d go to the Jhariah show–I was more interested in it that she was.  I really enjoyed his set a few months ago and would have loved to see him again, especially headlining.

Milkboy is a great venue but it is a massive pain in the butt to get to.  I also started to think about how young the crowd would be for this show.  Since I had just had surgery, the last thing I needed was to be in a crowd with people slam dancing and shoving.

So I decided to go to the Swans show as I had originally planned–the music would be louder, but much slower.

Pollyanna was supposed to open for Pinkshift along with Jhariah.  But for whatever reason they did not play that show.  But I really grew to like them a lot.  So when they were announced as a last minute third band at this show I was super excited to finally get to see them live.

Save Face is a Jersey-based band who were signed to Epitaph but are now independent (which is pretty fascinating).  I’d never heard of them, but apparently they did a song with Jhariah in September (which is really good), so that certainly explains the touring together business.   They come from the screamo/post hardcore scene, although to me they sound a ton like My Chemical Romance.  Their last Epitaph album features a guest vocal from Thursday’s Geoff Rickly.

 

[ATTENDED: April 13, 2024] Marco Benevento / Ghost Funk Orchestra

I have seen Marco Benevento three times live.  Every time has been a wonderful, joyous experience.  And I promise myself I’m going to see him again soon.

I didn’t go to his shows last year because I needed a break from shows that week.

This year, I already had a ticket to see Swans and then my daughter and I were going to go see Jhariah, so I couldn’t go to see Marco this time.    But he’s always playing shows and I’m sure I’ll see him again pretty soon.

Ghost Funk Orchestra has a name that I was bound to love.  And yet when I listened to them I found that i didn’t really like them at all.

Ghost Funk Orchestra is the brainchild of composer/multi-instrumentalist Seth Applebaum. The band draws heavy influence from the worlds of soul, psych rock, salsa, and beyond.

Even that description is perfect for me, but I feel like they take my least favorite elements from all of the genres and I instantly bristled at the vocals and the recording style.

They’re probably a lot of fun live, and I’m sure I would have enjoyed them opening for Marco, but I did not enjoy the album at all.

[DID NOT ATTEND: April 13, 2024] Richard Thompson / Jonatha Brooke

I’ve seen Richard Thompson more than almost anyone else.

I really want to see him with a full band, but that doesn’t seem to happen much in our area anymore.  He even announced a tour with a full band, but this show was meant to be solo (with help from Zara Phillips).

I have never been to the Scottish Rite Auditorium, which was another reason that I was looking forward to this show.

And then I wound up having surgery earlier in the week.  I probably could have still gone to this show, but honestly it just felt like too much work, getting all the way down there and walking to the venue, all while trying to take it easy and recover.

I know he’s playing in Bethlehem later this year, but again, I don’t think it’s with a full band.  I need to hear Richard rock out on an electric guitar again!

I know Jonatha Brooke from when I used to live in Boston.  She was in a band called The Story and then went solo.  I really liked her album Plumb (1995) and then I pretty much lost track of her.  I had no idea she was still regularly putting out music.

I would have liked to hear her, although I see from the setlist that she didn’t play anything I knew.